Lee Morgan Candy XRCD24

The Definitive Versions of Blue Note are on XRCD24... Listen & Compare!
Classical music is full of child prodigies but they are somewhat rare in jazz. Lee Morgan was an exception, for he was a brilliant trumpeter while still a teenager. His musical genius is difficult to explain; but easy to hear. Lee Morgan emerged fully formed technically along with a crackling intensity and passion that was a joy to experience. By the time he recorded Candy in 1959, the 20-year old had already led five albums for Blue Note, and had logged valuable time with not only the Dizzy Gillespie Big Band, but also as a member of (what some consider) the finest edition of Art Blakey's Jazz Messengers. Candy is a unique item in Morgan's history for it is the only quartet album that Morgan ever recorded. In fact, no other horns were needed! Candy features the trumpeter playing with beauty, fire, passion and a mature lyricism exceeding most musicians double his age. Joined by a rhythm section of young giants including pianist Sonny Clark, Morgan burns on the faster pieces but puts plenty of feeling into "All The Way," the soulful "Since I Fell For You" and "Personality." At 20, Lee Morgan was already a modern master and, from this point forward, considered one of the great trumpet men of jazz. Who said that youth was wasted on the young?
"Producer Joe Harley, and remastering engineer Alan Yoshida, provide a well-mixed "deep mono" experience. Watkins is in the pocket with a steady beat you could set a metronome to, and Art Taylor on drums is crisp and swinging. Lee is expressive with clean enunciation and a warm, inviting tone... Fans of both Lee Morgan and audiophile quality jazz trumpet would be well advised to get themselves some Candy." - Jeff Krow, audaud.com, 5 Stars!
"When I listened to the Audio Wave XRCD release of [AWMXR0008] Lee Morgan - Tomcat I was awestruck. My conclusion was that rather than comparing digital to analog, a more logical conclusion was that the entire digital vs. analog debate becomes irrelevant when listening to a recording that is so far superior to anything that has come before it. My analog setup costs six times what my digital one does, but given the same Blue Note title on LP or XRCD I'd choose the XRCD each time. I question the motive of any writer who claims that there is an LP re-issue that equals the sound you all are achieving."
"I recently purchased three more Audio Wave Blue Note titles and the sound on each of them is really stunning. The clarity (without any brightness), dynamics, instrumental timbres and subtlety that I hear in these performances is amazing. You can really hear the emotion and intent of the performers in a way I have not experienced with my Blue Note records before, be it an original pressing, RVG remaster or one of the 45 rpm re- issues from other labels. When playing [AWMXR0010] Horace Silver- Cape Verdean Blues over the weekend, my mom (who was visiting from out of town) and daughter actually came in the room and started dancing around. Its magic on a silver disc."
"I hope you will have the opportunity to visit other back catalogs or more Blue Note titles with wizard Alan Yoshida at the helm. I have a new appreciation for the importance of mastering. Thanks for the great music." - Steven Frost
"I recommend these highly. If you want the best digital versions of these great Blue Note albums, grab these. In my opinion they are the best that have ever been done and probably the best that ever will be. They can't stay in print forever so don't delay!" - Steve Hoffman, Mastering Engineer
"Blue Note has never sounded this good on CD before - these are the first digital Blue Notes that come close to the sound of vinyl. And the packaging is outstanding. I love the high quality glossy covers, and the insert booklets are the first effort I've seen to fit high quality photography into such a small package. Keep up the good work!" - Dennis Davis, Hi-Fi+
"Astute listeners know that the very first Blue Note CD issues are sonically superior to the more recent RVG remasters. Well, these XRCD24s absolutely crush them both, displaying high-frequency air, midrange presence, and bottom-end definition and weight missing on earlier CDs and many LPs as well." - Mark Mickelson, TheAudioBeat.com
"Compared to the 45 r.p.m. vinyl, the LPs still have a slight edge in smoothness and liquidity, but thanks to the XRCD process and the care that was taken transferring these albums directly from the original analog masters, these CD's have to be approaching the limit of what the compact disc is capable of resolving. Instrument timbre is stunningly real, and the amount of air and decay present on these recordings will make the uninitiated swear that there is a record playing on a turntable somewhere. I've never heard this music sound this good in any digital format." - Jeff Dorgay, TONEAudio
"The quality is next to none and as far the sound goes they are absolutely beautifully recorded, the timing is perfect and the clarity of the instruments is spot on, I will treasure these CDs. I am eagerly awaiting the rest of the collection." - Victor A.
"The sound is absolutely stunning and natural and represents digital at its best. The space around instruments and decay times are reminiscent of live acoustic performances. The mini-hardcover book format packaging is exceptional with great photography and legible liner notes. Truly well done and keep them coming." - Roger B.
"a well done XRCD... It's a sound that comes about as close to analog excellence as we've heard from any digital format" - Wayne Garcia, TAS Issue 203, June/July 2010 pg. 120-123
"These discs are open, dynamically free, tonally natural... the bass is textured, melodic, and explosive when a drummer lets loose." - Wayne Garcia, TAS Issue 203, June/July 2010 pg. 120-123
"...they may not quite equal the breathtaking sonics of the vinyl discs in transparency, immediacy, and ultimate dynamic pop, they come very close. So close, in fact... I was prepared to get up and flip the LP to Side Two except I wasn't listening to an LP but to a Yoshida-mastered XRCD." - Wayne Garcia, TAS Issue 203, June/July 2010 pg. 120-123

Features:

• Mastered and produced by Alan Yoshida and Joe Harley from the Original Rudy Van Gelder Blue Note 2-Track Analog Tapes!
• Highest Quality Analog-to-Digital transfers from tape to CD
• Deluxe Packaging with Hi-Resolution Black & White Session Photos by Francis Wolff
• Includes Original Album Liner Notes
• XRCD24 is Compatible with ALL CD PLAYERS!

Musicians:

• Sonny Clark, piano
• Lee Morgan, trumpet
• Art Taylor, drums
• Doug Watkins, bass

Selections:

1. Candy
2. Since I Fell For You
3. C.T.A.
4. All The Way
5. Who Do You Love, I Hope
6. Personality

Bonus Track:

1. All At Once You Love Her