Miles Davis Sketches of Spain 45RPM SuperVinyl Ultradisc One-Step Box Set (2 LP)
Miles Davis and Gil Evans bridged styles and collaborated on high-concept projects three different times during their celebrated careers. For their final act, they created Sketches of Spain, a peak moment in each luminary’s legacy. The transformative album weds Spanish themes, lush orchestrations, romantic timbres, and Davis’ increasingly lyrical methods in a tender ceremony that resonates more than six decades after its original release.
A crucial part of the next phase of Mobile Fidelity’s Miles Davis restoration series, the 1960 landmark has been afforded the ultimate white-gloves treatment. Mastered from the original master tapes and pressed on dead-quiet MoFi SuperVinyl at RTI, the label’s exquisite UltraDisc One-Step 45RPM 180g 2LP box set dramatically expands the soundstages and eradicates a dryness that many critics found inhibitive to the record’s enjoyment. Listeners can now hear the full perspective long deserved by the woodwinds, strings, and percussion, all of which come alive with unprecedented definition and detail.
The premium packaging and beautiful presentation of the numbered, limited-edition UD1S Sketches of Spain pressing befit the record’s historical importance. Housed in a deluxe box, the reissue features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the 1960 LP. Aurally and visually, this UD1S set exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners who prize sound quality and production, and who desire to fully immerse themselves with the album. And who wouldn’t want to go deep with Sketches of Spain?
Whether it is the somber mood piece “”Concierto de Aranjuez (Adagio),”” renowned for Davis’ flugelhorn performance, or the folktale-based “Solea,” Sketches of Spain transfixes with playing, ideas, and innovations exclusive to this incomparable effort. It’s one reason why Mobile Fidelity’s engineers took every available measure to insert listeners into the space originally occupied by Davis, bassist Paul Chambers, drummer Jimmy Cobb, percussionist Elvin Jones, and an 18-piece orchestra. The results are as breathtaking as the music.
Multi-note motifs, brief improvisational solos, fanfare sweeps, and contrapuntal exchanges inform flamenco-spiced pieces. Davis’ famous Harmon-muted trumpet is complemented by an assortment of bassoons and French horns. Heard together, they create pleasing contrasts and sounds (pp, mf, ppp) that get to what resides at the heart of Sketches of Spain: color. Seldom, if ever, did Davis ever so expressively and liberally paint with color. And in Evans, he has a likewise-minded partner to help draw out tones, shades, layers, and textures. What they achieved continues in the 21st century to draw praise from the entire music community.
Ranked #358 on Rolling Stone‘s 500 Greatest Albums of All Time, deemed “a work of unparalleled grace and lyricism” by noted scribe J.D. Considine, bestowed a five-star review from DownBeat, and noted by Q to have taken “jazz in a new direction, the Grammy Award-winning effort has never sounded or looked better.
MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world’s quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label’s engineers hear in the mastering lab.
More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab’s new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a “convert.” Delicate “converts” are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
Features:
- Limited to One Copy Per Customer
- Numbered, Limited Edition - Only 6000 Copies
- MoFi SuperVinyl Pressing
- UltraDisc One-Step
- 45rpm Speed Edition
- 2LP Box Set
- Special foil-stamped jackets
- Housed in an opulent box
- Faithful to original graphics
- Production and Mastering by Mobile Fidelity Sound Lab
Musicians:
- Miles Davis, trumpet, flugelhorn
- Danny Bank, bass clarinet
- Bill Barber, tuba
- John Barrows, french horn
- Albert Block, flute
- James Buffington, French horn
- Eddie Caine, flute, flugelhorn
- Paul Chambers, bass
- Earl Chapin, French horn
- Jimmy Cobb, drums
- Johnny Coles, trumpet
- Harold Feldman, clarinet, flute, oboe
- Bernie Glow, trumpet
- Dick Hixon, trombone
- Elvin Jones, percussion
- Taft Jordan, trumpet
- Jack Knitzer, bassoon
- Jose Mangual, pecussion
- Jimmy McAllister, tuba
- Tony Miranda, French horn
- Louis Mucci, trumpet
- Romeo Penque, oboe
- Janet Putnam, harp
- Frank Rehak, trombone
- Ernie Royal, trumpet
- Joe Singer, French horn
- Gil Evans, arranger, conductor
Selections:
Side A
1. Concierto de Aranjuez (Adagio)
Side B
1. Will O’ the Wisp
2. The Pan Piper
Side C
1. Saeta
Side D
2. Solea